ジャン-フィリップ・ラモー Jean-Philippe Rameau
ようこそ!フリーイラストポートレートと
歴史の停車場「いらすとすてーしょん」へ
こちらのページでは【音楽家の部屋|ラモー】
フランスオペラを愛した作曲家をお楽しみください
- 1. ラモー イラストポートレート(Syusuke Galleryより )
- 2. ラモーって
- 2.1. 悲劇的オペラ
- 2.2. ジャン=フィリップ・ラモー作Hippolyte et Aricie
- 2.3. オペラ・バレエ
- 2.4. ジャン=フィリップ・ラモー作Les Indes galantes
- 2.5. 宗教音楽
- 2.6. ジャン=フィリップ・ラモー作Grand Motet
- 2.7. クラヴサン音楽
- 2.8. ジャン=フィリップ・ラモー作Suite in G Major, RCT 6: No. 14 Les Sauvages
- 2.9. 理論家として
- 2.10. ジャン-バティスト・リュリ登場
- 2.11. ブフォン論争
- 3. ブフォン論争
- 4. 音楽家・新着偉人(It's New)はこちらから
- 5. 音楽家の部屋へようこそ
- 6. いらすとすてーしょん検索コーナー
ラモー イラストポートレート(Syusuke Galleryより )
![1683-1764を生きた作曲家でありクラヴサン奏者。フランス古典主義音楽の第3世代に位置付けられ、オペラ、バレエの分野で特筆した活躍を行う。1722年に著した「Traité de l'harmonie réduite à ses principes Naturels」は音楽を科学的にアプローチし音楽理論の発展に当時寄与した論文となった。フランス歌劇を守る正統主義側に立ち、イタリア音楽擁護の百科全書派と対立したブフォン論争の中心人物であった。](https://illuststation196.com/wp-content/uploads/2024/01/Jean-Philippe-Rameau-1024x1024.jpeg)
フランス出身 1683-1764
フランス古典主義音楽の第3世代に位置付けられる
オペラ、バレエの分野で特筆した作曲活躍を行った
1722年に著した
「Traité de l'harmonie réduite à ses principes Naturels」は音楽を
科学的にアプローチし音楽理論の発展に当時寄与した論文となる
フランス歌劇を守る正統主義側に立ち
イタリア音楽擁護の百科全書派と対立したブフォン論争の
中心人物
ラモーって
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今回はラモーさんのイラストポートレートをお届けしました
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ではラモーさんの作曲活動をその作品をみてみたいと思います
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ではここからはシューちゃんがご案内します
悲劇的オペラ
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まずはHippolyte et Aricie
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これはラモーさんの最初のオペラで1733年の作品でしたよね
ジャン=フィリップ・ラモー作Hippolyte et Aricie
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この作品を皮切りに悲劇的オペラで成功を収めるんだ
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その作曲スタイルは感情豊かな旋律、効果的な和声…いずれも当時としてはかなり独創的だった
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独創的すぎて批判も多かったとお聞きしています
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でも徐々に人気が高まっていくんだよね
オペラ・バレエ
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そして1735年Les Indes galantesをオペラ・バレエを主体として発表
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イタリアで生まれたオペラとバレエがフランスで融合してエンターテインメントとして認められたってところですか
ジャン=フィリップ・ラモー作Les Indes galantes
宗教音楽
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ラモーさんは宗教音楽の分野でも作品を残しているよ
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Grand Motetはその代表作品と思います
ジャン=フィリップ・ラモー作Grand Motet
クラヴサン音楽
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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そしてラモーさんはクラヴサンのための作曲も手がけていた
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ラモーさんはクラヴサン奏者でもあり、クラヴサンを愛していたのでしょうね
ジャン=フィリップ・ラモー作Suite in G Major, RCT 6: No. 14 Les Sauvages
理論家として
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そしてラモーさんといえばさぁ
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音楽理論家でしたよね
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その通り!
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Traité de l'harmonie
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和声(ハーモニー)について書かれた論文ですよね
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ちなみにこちらから Traité de l'harmonieを読むことができます
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
ラモーさんはマルチな作曲家だったなぁ
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
そのラモーさんはフランス古典主義音楽の第3世代と言われているんだ
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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フランス古典主義音楽というカテゴリーもあるのですか
ジャン-バティスト・リュリ登場
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
そういう切り口で考えたらなんだろうけどさ
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
そのフランス古典主義音楽の第1世代の代表は…
![](https://illuststation196.com/wp-content/uploads/2024/01/Jean-Baptiste-Lully.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Jean-Baptiste-Lully.jpeg)
フランス古典主義音楽の第1世代はわたし
【音楽の部屋|リュリ】フランスオペラ界で頂点をつかんだ作曲家
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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イタリア出身ながらフランスオペラの頂点にたった作曲家です
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
そのフランス古典主義音楽の第2世代の代表は…
![](https://illuststation196.com/wp-content/uploads/2024/01/Francois-Couperin.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Francois-Couperin.jpeg)
フランス古典主義音楽の第2世代はわたし
【音楽の部屋|クープラン】クラヴサンの頂点を極めた作曲家
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
クラヴサン楽派で最も活躍した作曲家です
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
そしてフランス古典主義音楽の第3世代代表はラモーさんとなり、3つの時代に分けることができるって感じだね
ブフォン論争
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
そしてラモーさんで忘れてはならないのが…
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
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![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
![](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan.jpeg)
ブフォン論争だ
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
![](https://illuststation196.com/wp-content/uploads/2022/11/painter.jpg)
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ここもシューちゃん、お願いします
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ブフォン論争を一言でいうとフランス歌劇を守る正統主義側に立ったラモーさんと、イタリア音楽擁護の百科全書派側に立ったルソーとの文化的論争
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わたしがルソーです(2024年2月14日公開予定です)
【音楽の部屋|ルソー】イタリア派で参戦したブフォン論争
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ではどんな論争だったのか…いらすとすてーしょん風に綴るよ
- ラモーの立場
- わたしは伝統的なフランス音楽の擁護者であって、イタリア歌劇を受け入れてはだめ、だからこそフランスの歌劇の伝統的な価値を推進しよう
![1683-1764を生きた作曲家でありクラヴサン奏者。フランス古典主義音楽の第3世代に位置付けられ、オペラ、バレエの分野で特筆した活躍を行う。1722年に著した「Traité de l'harmonie réduite à ses principes Naturels」は音楽を科学的にアプローチし音楽理論の発展に当時寄与した論文となった。フランス歌劇を守る正統主義側に立ち、イタリア音楽擁護の百科全書派と対立したブフォン論争の中心人物であった。](https://illuststation196.com/wp-content/uploads/2024/01/Jean-Philippe-Rameau.jpeg)
![1683-1764を生きた作曲家でありクラヴサン奏者。フランス古典主義音楽の第3世代に位置付けられ、オペラ、バレエの分野で特筆した活躍を行う。1722年に著した「Traité de l'harmonie réduite à ses principes Naturels」は音楽を科学的にアプローチし音楽理論の発展に当時寄与した論文となった。フランス歌劇を守る正統主義側に立ち、イタリア音楽擁護の百科全書派と対立したブフォン論争の中心人物であった。](https://illuststation196.com/wp-content/uploads/2024/01/Jean-Philippe-Rameau.jpeg)
- ルソーの立場
- わたしはイタリア歌劇は情熱的な表現が素晴らしいから、フランスにその感情豊かで生き生きとしたイタリア歌劇を推進するべきだ
![1712-1778を生きた哲学者であり文学、音楽家。1750年ごろからフランスで編纂された大規模な 百科事典「百科全書」の音楽項目を担当。1752年にはフランス文化を二分することになるブフォン論争でラモーらの支持するフランス伝統のオペラ派に対してイタリアで人気を博していたコミック・オペラを支持した。日本との関わりも多く、明治時代の自由民権運動で中江兆民がルソーの唱えた社会契約論(1762)を用いている。またルソー自身の自伝「告白録」は日本の自然主義文学に影響を与えている。](https://illuststation196.com/wp-content/uploads/2024/02/Jean-Jacques-Rousseau.jpeg)
![1712-1778を生きた哲学者であり文学、音楽家。1750年ごろからフランスで編纂された大規模な 百科事典「百科全書」の音楽項目を担当。1752年にはフランス文化を二分することになるブフォン論争でラモーらの支持するフランス伝統のオペラ派に対してイタリアで人気を博していたコミック・オペラを支持した。日本との関わりも多く、明治時代の自由民権運動で中江兆民がルソーの唱えた社会契約論(1762)を用いている。またルソー自身の自伝「告白録」は日本の自然主義文学に影響を与えている。](https://illuststation196.com/wp-content/uploads/2024/02/Jean-Jacques-Rousseau.jpeg)
- 論争の拡大
- ラモーとルソーの主張は激しく対立して、その論争は国内中の文化や芸術、文学などあらゆる分野にまで広がった
![フランス出身の偉人たちGreatest People from France](https://illuststation196.com/wp-content/uploads/2022/03/フランス国旗.jpg)
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- 論争の拡大
- まさに国内を二分する論争で伝統と革新、古典主義と新しい文化芸術が燃えたぎっていた
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- 結果
- オペラ・コミックという新しいフランスオペラが誕生することになった
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ブフォン論争後、ラモーさんは悲劇的オペラとして1737年の作品「Castor et Pollux」を、オペラ・コミックとして1754年にリニューアルし再スタートとなったんだ
ブフォン論争
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ではブフォン論争をまとめてみるよ
イタリアの影響
1752年、イタリアのオペラ・ブッファ※劇団がパリで公演を行い、これが音楽論争の発端となりました。その中でも上演されたペルゴレージ作曲の「La serva padrona(奥様女中)」は特に物議を醸しました。当時、パリの音楽界はリュリ以来の宮廷音楽である悲歌劇が中心であり、ジャン-フィリップ・ラモーが当時の最高位でした。
※オペラ・ブッファ:軽妙で喜劇的な内容のオペラを指しています
ルソーとグリムの主張
音楽評論家であるジャン-ジャック・ルソーやドゥニ・ディドロ(フランス出身 1713-1784)、およびディドロの友人であったフリードリヒ・メルヒオール、フォン・グリム(ドイツ出身 1723-1807)によって、イタリア音楽の軽やかな旋律を賞賛し、フランスの音楽においてもそのような要素が必要だと主張したことが始まりです。ルソーはフランス音楽に関する手紙※(1753)で、音楽の性格を決定するのは和声ではなく旋律であると唱えて、その旋律は言語の抑揚にもとづいていると説明しました。つまりフランス語は抑揚が乏しいため、フランス語の音楽はやめるべきだと断定しました。
※フランス音楽に関する手紙(立教大学デジタルライブラリ)
結末と文学的影響
この論争はブフォン論争と呼ばれ文壇をも巻き込み、フランス国内を二分する大論争となりました。その結果、この論争がきっかけとなり、荘重な悲歌劇に代わってオペラ・コミックが主流になりました。ラモー派、ルター派の両派の主張は、その後のクリストフ・ヴィリバルト・グルック(ドイツ出身 114-1787)の作品において歩み寄りが模索されて5作目の作品であった1779年のフランス語で書かれた作品「Iphigénie en Tauride」で見事成功を収めました。ブフォン論争は、音楽の方向性や国内の文化的な議論に大きな影響を与え、時代の文学や芸術に進化をもたらしました。
グルック作 Iphigénie en Tauride
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いかがでしたか?
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今回はジャン-フィリップ・ラモーを取り上げさせていただきました
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いらすとすてーしょんでは西洋音楽を彩ってきた音楽家を…
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これからもご紹介していきます
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どうぞお楽しみに!
音楽家・新着偉人(It's New)はこちらから
【音楽の部屋|山口淑子(李香蘭)】ブギウギ放送記念⑤
【音楽の部屋|高峰秀子】ブギウギ放送記念④
【映画監督の部屋|黒澤 明】ブギウギ放送記念③
【経営者の部屋|吉本せい】ブギウギ放送記念②
音楽家の部屋へようこそ
出身国別、都道府県でお届けしています
音楽家の部屋 Musicologist
音楽家の部屋Musicologistへようこそ。SyusukeGalleryよりイラストポートレートをお届けさせていただきます。
広告コーナー
いらすとすてーしょんはGoogle AdSenseの収益により
運営させていただいております
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いらすとすてーしょん検索コーナー
いらすとすてーしょん検索コーナー
いらすとすてーしょん検索コーナー
新着偉人(It's New)
新たに公開のイラストポートレートをご覧ください
Oly / Para Memorial② 人見絹枝New!!
Oly / Para Memorial① クーベルタン
いらすとすてーしょん新キャラクター
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2022年より"いらすとすてーしょん"にお立ち寄りいただきありがとうございます
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さて本年いらすとすてーしょんの新キャラクターが誕生しました
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シューちゃんです
![シューちゃんはいらすとすてーしょんのキャラクターです](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan-1024x1024.jpeg)
![シューちゃんはいらすとすてーしょんのキャラクターです](https://illuststation196.com/wp-content/uploads/2024/01/Syu-chan-1024x1024.jpeg)
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シュー(Syu)です
よろしくね
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3年目を迎えた2024年も皆様に役立つ世界の偉人たちをシューちゃんと共にフリーイラストポートレートをお届けします
いらすとすてーしょんからのお知らせ
![創業76年を迎える総合広告代理業を営む栄光社のイチオシと「いらすとすてーしょん」のコラボレーションが2022年7月1日ついにオープン!イチオシ美術とそのイラストポートレートで贈る作者をぜひご堪能ください](https://illuststation196.com/wp-content/uploads/2022/06/栄光社いらすとすてーしょんコラボPPT-1024x217.jpg)
![創業76年を迎える総合広告代理業を営む栄光社のイチオシと「いらすとすてーしょん」のコラボレーションが2022年7月1日ついにオープン!イチオシ美術とそのイラストポートレートで贈る作者をぜひご堪能ください](https://illuststation196.com/wp-content/uploads/2022/06/栄光社いらすとすてーしょんコラボPPT-1024x217.jpg)
いらすとすてーしょん「Syusuke Gallery」
コラボレーション
「イチオシ」で取り上げられた美術のその作者を
イラストポートレートで贈ります
皆様のお越しをお待ちしております